This is the last in a four-part series of posts based on an interview I conducted with the poet Hazel White, about the twenty-year process of writing her book Vigilance Is No Orchard, forthcoming from Nightboat Books. Scroll down for Parts 1–3.
Eighteen Years of Defeat Is a Strange Space
[When we left off with Hazel's story in Part 3 below, she had revised her manuscript yet again and sent it—yet again—to Stephen Motika at Nightboat.] He wrote back after some time. He didn’t like the changes. But he didn’t out-and-out reject the work.
Six months went by. One day I pulled out the manuscript again. I cut a third of the quotes and embedded the remainder more carefully in the manuscript. I sent it back to Stephen and wrote something like, “I’m not certain that I’ve fixed anything. If you could let me know your decision by Sunday I’d appreciate it. If the answer is no, I completely understand.” I almost wanted a rejection. There were many times during the whole process when I wondered if I were mentally ill. Eighteen years of defeat is a strange space.
Stephen wrote back and said he loved the rewrite. He had a lot of praise for it. But he also didn’t come right out and say he’d publish it.
I went to Brooklyn in the fall of 2016 and met him for breakfast. I was grateful that he had spent so much time on my manuscript and I was also nervous he might still be thinking it wasn’t done yet. I said hesitantly, Stephen, is it yes or no? He said, Yes. He said, Sorry, in my feedback I’ve been harsh on you. I said, That’s true. We laughed. He knows a lot about landscape architecture and admires Isabelle’s work, so he cared about this book. I’m of course very grateful now.
Mountain Lion Footprints on the Deck
I’ve thought a lot about why this project took twenty years. I’ve come to understand that as an English person, I wasn’t writing about a Southern California landscape from the perspective of someone raised here. I had to take up habitation in a foreign aesthetic. It’s very hard to have lost one’s original place. It’s even harder to write about that. Yet I felt I might never encounter a more mysterious or necessary subject. So what choice did I have? I had to address that desperate resettling.
I also think I was jealous of Isabelle’s power as an exquisitely intuitive maker. I wanted to write as powerfully as she created gardens. The project became finish-able when I realized I would always fail to fully get the experience on the page; that instead, I needed to allow the failure to enter the work, become part of it.
A third challenge to completing the work was my guilt that I was making an experimental poetry book, not the gloriously successful coffee table book Isabelle and I had originally envisioned.
But about six years ago I realized Isabelle wasn’t holding a grudge. Around that time she arranged for me to stay in the guest house at the garden she had created for Lillian Lovelace. The Lovelace garden features a pool with boulders in it, set under oaks, with a teahouse at its edge. It’s that placement of the human-made lines and the wild lines I described earlier, that reduces me to a noodle. I stayed in the teahouse for three days and nights. I swam in the ocean and in mountain creeks. I slept with the door open and in the mornings there were mountain-lion footprints on the deck. I wrote several poems.
Isabelle always knew I was more of a writer than I knew. She told me early on to stop calling myself a garden writer. She said I was an artist and a real thinker. By the time the book was finished, she had come to see me as being more true to myself as an artist than perhaps she’d been to her artist self during that time. So in the end, she’s glad it ended up how it did.
And so am I.
- Jan 13, 2019 Managing to Build Bridges - Part 3: I Felt Pretty Stupid Jan 13, 2019
- Dec 9, 2018 Managing to Build Bridges - Part 2: Such a Bad Kid Dec 9, 2018
- Nov 23, 2018 Managing to Build Bridges - Part 1: The Pressure to Be a Certain Type of Girl Nov 23, 2018
- Oct 23, 2018 Leadership Without Ego - Part 6: Mayberry with an Edge Oct 23, 2018
- Oct 1, 2018 Leadership Without Ego - Part 5: Everyone Everywhere Deserves to Make Art Oct 1, 2018
- Sep 10, 2018 Leadership Without Ego - Part 4: I'm About Ready to Swear Sep 10, 2018
- Aug 19, 2018 Leadership Without Ego - Part 3: The Dalai Lama Breaks All the Rules Aug 19, 2018
- Jul 29, 2018 Leadership Without Ego - Part 2: The Kids Melted Under That Praise Jul 29, 2018
- Jul 10, 2018 Leadership Without Ego - Part 1: The Workshop Was Neutral Territory Jul 10, 2018
- May 26, 2018 The Alchemy of Service - Part 5: Watch Out, Someone's Behind You May 26, 2018
- May 6, 2018 The Alchemy of Service - Part 4: Fireworks and Tears May 6, 2018
- May 5, 2018 The Alchemy of Service - Part 3: Joann Wong! You Are Chinese! May 5, 2018
- Apr 6, 2018 The Alchemy of Service - Part 2: Mom, It's Only a Nickel Apr 6, 2018
- Mar 19, 2018 The Alchemy of Service - Part 1: Mouse Soup Mar 19, 2018
- Feb 18, 2018 Back to the Garden - Part 4: Mountain Lion Footprints on the Deck Feb 18, 2018
- Feb 3, 2018 Back to the Garden - Part 3: "You're a Good Egg—Happy Easter" Feb 3, 2018
- Jan 15, 2018 Back to the Garden - Part 2: "A Pretty Big Failure" Jan 15, 2018
- Jan 1, 2018 Back to the Garden - Part 1: "Aesthetic Shock" Jan 1, 2018
- Aug 15, 2017 Goodbye Self-esteem, Hello Self-compassion – Part 3: Real Love Aug 15, 2017
- Jul 31, 2017 Goodbye Self-esteem, Hello Self-compassion – Part 2: Mirror, Mirror Jul 31, 2017
- Jul 17, 2017 Goodbye Self-esteem, Hello Self-compassion – Part 1: Bashing Vasco Jul 17, 2017
- May 28, 2017 This Thing I Found: Teens Teach Us How to See Freshly May 28, 2017
- Mar 20, 2017 Dream On - Part 6: Dream Analysis Example Mar 20, 2017
- Mar 7, 2017 Dream On - Part 5: A Dream Analysis Technique (cont.) Mar 7, 2017
- Feb 20, 2017 Dream On - Part 4: A Dream Analysis Technique Feb 20, 2017
- January 2017
- December 2016