This is the second in a four-part series of posts based on an interview I conducted with the poet Hazel White, about the twenty-year process of writing her book Vigilance Is No Orchard, forthcoming from Nightboat Books. Scroll down for Part 1.
A Pretty Big Failure
Isabelle had a show at the UC Santa Barbara Art Museum. I wrote a catalog essay for it. A publisher of some note came to the show, became wildly interested in her work, and wanted to publish a series of books on her. Later, I had a verbal contract with the publisher to write one of the books, but due to an economic downturn in publishing, the project fell through.
At another point, my partner agreed I could take a year off from earning income to write a book about Isabelle. At the end of the year, with nothing much written and feeling miserable, I got brave and contacted the top agent for landscape books in New York—office on 5th Avenue, the works. She was interested but thought Isabelle wasn’t sufficiently well known to warrant an entire book just about her. The agent wanted me to write a book about Isabelle and another landscape architect. I turned her down; it didn’t feel possible to compromise. I’m sure she was very surprised.
Then I decided that in order to write the book I needed to attend a Master of Fine Arts writing program. I got into the MFA program at California College of the Arts. At the end of the first semester, a professor told me that she didn’t think I could write the book about Isabelle’s garden for probably five years. I went home and cried.
By the second semester, my writing had broken down completely. I could no longer write a linear sentence. Friends were telling me I should drop the book idea. It was looking like a pretty big failure. I suppose the breakdown in sentences was related to my emotional state. Something had to break.
At that point I took a course called “Hybrid Forms” taught by the poet Kathleen Fraser. Being a good girl and following her directions, I produced these short condensed pieces in response to her exercise prompts. She called them poems. I was terrified—I didn’t want them to be called poems. I couldn’t face my inability to write sentences anymore. I made a valiant attempt to get the hell out of this huge discomfort and transfer to the Visual and Critical Studies program, but wasn’t able to.
I had grown up in a working-class family. I’d argued my way to college based on the expectation that I’d make money. So writing poetry felt like a crisis. Yet I could no longer write anything else.
A couple years after receiving my MFA, I wrote my first poetry book, Peril as Architectural Enrichment, in the space of about four months. It was published by Kelsey Street Press in 2011. It dealt with landscape architecture—but wasn’t about Isabelle and her garden. I felt guilty. I had accrued 70 hours of interviews with Isabelle yet I had been unable to produce anything out of all that material.
Next Installment: You're a Good Egg—Happy Easter
- Apr 6, 2019 Managing to Build Bridges - Part 6: Human Remains and Cultural Artifacts Apr 6, 2019
- Mar 17, 2019 Managing to Build Bridges - Part 5: Poetry Has No Rules Mar 17, 2019
- Mar 3, 2019 Managing to Build Bridges - Part 4: Dessert Goes to a Different Stomach Mar 3, 2019
- Jan 13, 2019 Managing to Build Bridges - Part 3: I Felt Pretty Stupid Jan 13, 2019
- Dec 9, 2018 Managing to Build Bridges - Part 2: Such a Bad Kid Dec 9, 2018
- Nov 23, 2018 Managing to Build Bridges - Part 1: The Pressure to Be a Certain Type of Girl Nov 23, 2018
- Oct 23, 2018 Leadership Without Ego - Part 6: Mayberry with an Edge Oct 23, 2018
- Oct 1, 2018 Leadership Without Ego - Part 5: Everyone Everywhere Deserves to Make Art Oct 1, 2018
- Sep 10, 2018 Leadership Without Ego - Part 4: I'm About Ready to Swear Sep 10, 2018
- Aug 19, 2018 Leadership Without Ego - Part 3: The Dalai Lama Breaks All the Rules Aug 19, 2018
- Jul 29, 2018 Leadership Without Ego - Part 2: The Kids Melted Under That Praise Jul 29, 2018
- Jul 10, 2018 Leadership Without Ego - Part 1: The Workshop Was Neutral Territory Jul 10, 2018
- May 26, 2018 The Alchemy of Service - Part 5: Watch Out, Someone's Behind You May 26, 2018
- May 6, 2018 The Alchemy of Service - Part 4: Fireworks and Tears May 6, 2018
- May 5, 2018 The Alchemy of Service - Part 3: Joann Wong! You Are Chinese! May 5, 2018
- Apr 6, 2018 The Alchemy of Service - Part 2: Mom, It's Only a Nickel Apr 6, 2018
- Mar 19, 2018 The Alchemy of Service - Part 1: Mouse Soup Mar 19, 2018
- Feb 18, 2018 Back to the Garden - Part 4: Mountain Lion Footprints on the Deck Feb 18, 2018
- Feb 3, 2018 Back to the Garden - Part 3: "You're a Good Egg—Happy Easter" Feb 3, 2018
- Jan 15, 2018 Back to the Garden - Part 2: "A Pretty Big Failure" Jan 15, 2018
- Jan 1, 2018 Back to the Garden - Part 1: "Aesthetic Shock" Jan 1, 2018
- Aug 15, 2017 Goodbye Self-esteem, Hello Self-compassion – Part 3: Real Love Aug 15, 2017
- Jul 31, 2017 Goodbye Self-esteem, Hello Self-compassion – Part 2: Mirror, Mirror Jul 31, 2017
- Jul 17, 2017 Goodbye Self-esteem, Hello Self-compassion – Part 1: Bashing Vasco Jul 17, 2017
- May 28, 2017 This Thing I Found: Teens Teach Us How to See Freshly May 28, 2017
- Mar 20, 2017 Dream On - Part 6: Dream Analysis Example Mar 20, 2017
- Mar 7, 2017 Dream On - Part 5: A Dream Analysis Technique (cont.) Mar 7, 2017
- Feb 20, 2017 Dream On - Part 4: A Dream Analysis Technique Feb 20, 2017
- January 2017
- December 2016